ArtistEventTheatre
At this year’s Edinburgh Festival Fringe, two one-woman shows explore the word’s many meanings through two very different leading ladies: the fictional operatic icon Louisa McRay in DIVA, and the legendary Marlene Dietrich.
The term diva means different things to different people. For some, it’s shorthand for dramatic behavior and glamour. For others, like opera lovers, it’s a title of mastery — a recognition of extraordinary talent and artistry.
A Tale of Two Divas: Louisa McRay and Marlene Dietrich
In one corner, we have DIVA — the story of fictional opera superstar Louisa McRay, a mezzo-soprano who once reigned at the very top of the operatic world. Now looking back on her life through a suitcase of cherished mementos, Louisa reflects on a career marked by triumph, turbulence, and an unwavering dedication to her craft.
Her creator, a seasoned opera singer turned actor, calls DIVA her “magnum opus” — the culmination of decades in the performing arts. After performing with Opera Australia and other major companies, she returned to acting in 2008 and has since merged both worlds into this deeply personal theatrical work.
In the other corner, a vibrant portrayal of Marlene Dietrich — the legendary German-American actress, singer, and activist — takes audiences on a bold, interactive ride. This Marlene is unapologetically charismatic, daring, and playful, even offering audience members a kiss in homage to the star’s famous scene from the film Morocco.
More Than Entertainment: A Celebration of Integrity and Inclusion
For both performers, their shows are as much about values as they are about entertainment. Marlene’s story shines a light on integrity, liberation, and the courage to live authentically — ideals that resonate strongly in today’s cultural climate.
Meanwhile, DIVA reflects on the changing landscape of the arts. From early examples of diverse casting in opera to the growing inclusivity in Australian theatre and broadcasting, the show subtly weaves in themes of representation and progress.
Audience Reactions: From Los Angeles to Edinburgh
DIVA debuted to rave reviews in Los Angeles last November, moving audiences with its emotional depth. Edinburgh audiences have proven equally captivated, following Louisa McRay’s life story as witnesses, rather than participants, in her journey.
In contrast, the Marlene Dietrich show thrives on audience interaction, encouraging spectators to drop their guard, join the fun, and share in an energy exchange that blurs the line between performer and crowd.
When and Where to See Them at the Edinburgh Fringe
For those eager to dive into these unique theatrical worlds:
My Marlene: Assembly Checkpoint, 19:40PM nightly. Closes Sunday 17 August
DIVA: The Drawing Room, Assembly Rooms, 16:20pm. Closes Sunday 24 August
Both shows promise unforgettable performances, each in their own distinct style — one an intimate memoir of a fictional operatic icon, the other a playful, interactive tribute to a real-life legend.